By
Serge Koussevitzky
Serge Koussevitzky's Double Bass Concerto, Op. 3 is a landmark in the bass repertoire, showcasing the instrument’s lyrical and virtuosic capabilities. The solo part demands a wide range of expressive techniques, including fluid legato phrasing in the opening Andante and agile bow control in the more rapid Allegro passages. Notable for its rich Romantic harmonies and dramatic character, this concerto requires the double bassist to navigate challenging shifts, high-register passages, and nuanced dynamics, highlighting the instrument’s unique voice and expressive depth.
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by:
Edwin Barker
Edwin Barker presents the Koussevitzky concerto in a late-romantic performance-practice style, using Koussevitzky's own double bass. In this first movement, Edwin thoroughly explores fundamental phrasing concepts, especially in relation of beat hierarchy and pulse; vibrato usage for expression; and expressive vocal leaps in a melodic bass line. It should be noted that he is playing in solo tuning (F-sharp - B - E - A).
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